A slight A-line in which the waist was loosely defined is also typical.
The new silhouette is straight and unfitted or princess cut. The new alternatives sort of layer on top of the predominant styles.Īs we move towards the mid 60s, skirt lengths gradually shorten, and the overall silhouette relaxes. However, beginning late in the decade the new styles of Cassini, Chanel and others coexist with the Dior-inspired lines. The New Look silhouette is the prevailing silhouette through the end of the 1950s. The style is practically timeless, and flattered nearly every body type–an appealing trait to the older woman during the 1950s. She favored nubby wools and tweeds and acheived her desired fit through manipulation of the material rather than darts and seams. The suit feaured a straight skirt with an almost shapeless cardigan style jacket. The Chanel suit was a direct reaction to Dior’s New Look. Employing some of the same ideas as Cassini, her designs also help to shape the 1960s. When Gabrielle “Coco” Chanel reopened her atelier in 1954, she immediately resumed her place as a major force in couture fashion. The left image above is of one of his dresses designed for and worn by the first lady. He specialized in A-line dresses and suits/ensembles that were generally only slightly shaped though the upper torso.
Kennedy, Cassini became a powerful figure in 1960s style offering a youthful, smooth modernity–a stark contrast to the lines of the prevailing New Look. Cassini was known for a sleek minimalism. She chose Cassini and made it a point to wear his clothes almost exclusively to all publicized events that she attended. As her husband’s political career headed toward the White House, Jackie took it upon herself to interview American designers clamoring to become her stylist.
#1960s space age fashion full#
Kennedy had a full couture wardrobe filled with the likes of Balenciaga and Givenchy. Before her husband was elected President of the United States, Mrs. Rose and Jacqueline Kennedy, Gloria Guinness, Paulette Goddard, Françoise Hardy, the Duchess of Windsor and Lee Radziwill were among those who wore his designs.Designer Oleg Cassini is most identified with the wardrobe of Jackie Kennedy. His clothes are forever absolutely emblematic of their time, at times he has been referenced by everyone from Marc Jacobs to Karl Lagerfeld and, at its height, was one of the key couturiers for the jet set.
It is to harmoniously resolve functional problems, just like the engineer who designs a plane.” He once said: “My problem is not rich embroidery, useless lavishness. He liked to compare his atelier to a laboratory.Īndré Courrèges Eskimo or Eclipse or Slit white sunglasses, 1965.ĭanish model Lotte Tarp wearing André Courrèges shades and costume with Salvador Dalì in his house in Port Ligat, Spain. The hat that Audrey used in “How to Steal a Million”, 1965, was, according to Givenchy’s Hubert, the true inspiration for the futuristic style of André Courrèges.Ĭourrèges thought the designer, not the client, knew best, and proudly refused to negotiate changes in his styles with the Duchess of Windsor. He privileged geometric forms and primary colours and worshiped the modernist architect and designer Le Corbusier. The stark shapes and white and silver color scheme immediately earned the name Space Age.Īndré Courrèges brought us the triangle shaped shift dress as the defining silhouette for the 60’s. These were matched with flat boots, goggles and helmets taken from the equipment worn by astronauts. Many of the outfits had cut-out midriffs and backs and were worn without a bra. His designs included angular mini dresses and trouser suits. André Courrèges was one of the most influential fashion designers of the 20th century in the mid-1960s he changed the way women dressed, and did so almost overnight.
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